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Sarah Elizabeth Banks

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Submitted by Sarah Banks July 2017

Sarah Banks February 9, 2018

While painting in Portugal’s Alentejo region this spring I was thinking of Poussin and Cézanne—and the wonderful way they created a sealed and self-contained world. I experimented with size and created a series of teenies, 5x 7 oil sketches on canva paper, an attempt to force myself to eliminate all but the essential. I was trying for images of compression that concentrate and stress the overall design.

← Submitted by Sarah Banks August 2017Submitted by Sarah Banks February 2017 →

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Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking…

Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking about that during the Women's March in Seattle when a giant papier maché Trump in chains was processed past.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

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