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Sarah Elizabeth Banks

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phinney_3_winners.jpg

Sarah Banks February 18, 2018

Jurors' Choice Award 2018

Northwest Fine Arts Competition + 3 images:

Women Rising (yellow print), Calais Camp Boy & Raqqa Girl (intaglio). 

https://www.phinneycenter.org/nwfinearts-18/

← Ain't gonna study war no moreSubmitted by Sarah Banks →

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Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking…

Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking about that during the Women's March in Seattle when a giant papier maché Trump in chains was processed past.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

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