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Sarah Elizabeth Banks

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Submitted by Sarah Banks 2018

Sarah Banks February 10, 2018

Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking about that during the Women's March in Seattle when a giant papier maché Trump in chains was processed past.

← Submitted by Sarah BanksSubmitted by Sarah Banks August 2017 →

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Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking…

Seeing Mitoraj's Icarus at Pompeii was unforgettable. Why does this fallen god interest me so much? I've portrayed him in collage, print, paint. Maybe it's the hubris of those who feel omnipotent, yet who still crash to earth and die. I was thinking about that during the Women's March in Seattle when a giant papier maché Trump in chains was processed past.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

One of the joys of painting en plein air is to wander aimlessly until something catches my eye, and I stop to paint it. On Galeano Island, I stumbled across this truck  embalmed in moss and sheltered by spires of alder and doug fir.

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